They taught the lie early, and they taught it beautifully.<p>On screens, in textbooks, in billboards and cartoons,</p><p>they painted Blackness in margins and shadows,</p><p>and called it representation when we finally appeared as background noise.</p><p>They told us history started in chains and ended in speeches,</p><p>as if kingdoms, science, art, and language had not existed before ships arrived.</p><p>As if Africa had not been erased first,</p><p>so slavery could look like our beginning instead of their crime.</p><p>And somewhere in that long edit of our humanity,</p><p>they slipped in the verdict that still echoes through dressing rooms and job interviews and courtrooms:</p><p>“You committed two sins when you came into existence, you were born black and you were born a woman.”</p><p>They didn’t just mean survival.</p><p>They meant beauty.</p><p>They meant worth.</p><p>They meant who gets to be soft, and who must always be strong.</p><p>They crowned lighter skin as safer, straighter hair as professional,</p><p>smaller noses as elegant, fuller bodies as jokes or threats.</p><p>They sold self-hate in magazines and called it aspiration.</p><p>They sold whitening creams and called it confidence.</p><p>They sold filters and called it progress.</p><p>They built an industry on teaching Black girls to edit themselves.</p><p>Even when we win, they rewrite it.</p><p>They take our music, soften our accents, copy our slang,</p><p>then give awards to people who learned Blackness from a distance.</p><p>They love our rhythm but fear our rage.</p><p>They love our culture but not our communities.</p><p>They love the parts of us they can profit from.</p><p>Not the parts that demand justice.</p><p>They turn our grief into hashtags and our resistance into threats.</p><p>They show riots without showing the funerals that caused them.</p><p>They show broken windows but not broken policies, broken schools, broken promises.</p><p>They tell the world that racism is over because it’s no longer polite.</p><p>But it still lives in algorithms and housing maps and medical charts and hiring rooms.</p><p>It still decides whose pain is believable,</p><p>whose childhood is protected,</p><p>whose death becomes a debate instead of a tragedy.</p><p>They call it coincidence.</p><p>We call it a pattern.</p><p>And through all of it, Black women stand in the crossfire of every narrative:</p><p>too Black for safety, too female for power, too loud for sympathy, too quiet for visibility.</p><p>Expected to carry movements, families, churches, classrooms, communities —</p><p>and still be grateful for survival.</p><p>They write us as side characters in our own history.</p><p>But we have always been the infrastructure.</p><p>From stolen land to civil rights to modern revolutions,</p><p>Black women have been organizing while being erased,</p><p>leading while being overlooked,</p><p>building while being blamed.</p><p>So when they ask why we are angry,</p><p>what they are really asking is why we refuse to forget.</p><p>Because forgetting is how systems survive.</p><p>Forgetting is how injustice becomes tradition.</p><p>Forgetting is how oppression starts calling itself normal.</p><p>They told us our existence was a problem to be managed,</p><p>our beauty a flaw to be fixed,</p><p>our voices a danger to be controlled.</p><p>And the truth is,</p><p>they are still managing, still fixing, still controlling.</p><p>The edits never stopped.</p><p>The damage never closed.</p><p>The story never corrected itself.</p><p>So don’t call this misunderstanding.</p><p>Don’t call this the past.</p><p>Don’t call this progress.</p><p>Call it what it has always been:</p><p>a narrative built to justify harm,</p><p>maintained by silence,</p><p>and protected by comfort.</p><p>And it is still being written.</p>
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